Fillip

Fillip Index — By Publication By Author By Title By Length

Fillip is a Vancouver-based publishing organization that was formed in 2004 to expand spaces for critical discussions on contemporary art.


Chris Fitzpatrick and Post Brothers: A Productive Irritant
: Parasitical Inhabitations in Contemporary Art
F15
Mohammad Salemy, Nick Srnicek, and Alex Williams: Speed Trials: A Conversation about Accelerationist Politics
F20
Raven Chacon and Guillermo Galindo: Sound, Silence, and Process
NA
Bassam El Baroni and Hassan Khan: And the future remains, as always, unknown and unpredictable
F18
Ken Becker: Not Just Some Canadian Hippie Bullshit: The Western Front as Artists’ Practice
F20
Judgment and Contemporary Art Criticism: Panel One
A
Vincent Bonin: Here, Bad News Always Arrives Too Late
F16
Vincent Bonin: Here, Bad News Always Arrives Too Late
C
Philip Monk: Battle Stances: General Idea, CEAC, and the Struggle for Ideological Dominance in Toronto, 1976–78
F20
Intangible Economies: Forum Discussion
B
Christopher Régimbal: Institutions of Regionalism: Artist Collectivism in London, Ontario
F19
Alexander R. Galloway and Mohammad Salemy: The Question of Interface
F18
Jaleh Mansoor and Penny Slinger: Penny Slinger: Exorcisms
NA
Gabrielle Moser: Exhaustive Images
: Surveillance, Sovereignty, and
 Subjectivity in Google Maps Street View
F15
Patricia Reed: Economies of Common Infinitude
B
Ariella Azoulay: Different Ways Not to Say Deportation
NA
John C. Welchman: Joseph Kosuth's The Second Investigation in Vancouver: Art on TV
S1
Bettina Funcke and Andrew Stefan Weiner: Intimate Cacophonies: 
An Exchange Regarding 
100 Notes—100 Thoughts
F19
Lois Klassen: Arriving at Nowhere: Reflecting on Chris Kraus’s Radical Localism
F20
Saul Anton: Bin Laden’s Death Mask
F15
Miwon Kwon: Documents Magazine 1992–2004: Part One, Miwon Kwon
F17
Antonia Hirsch and Olaf Nicolai: Chant d’Échange
B
Melanie Gilligan: Affect & Exchange
F16
Melanie Gilligan: Affect & Exchange
B
Maria Muhle: Imitation of Life: Biopolitics and the Cinematographic Image
F17
Chantal Pontbriand and Amy Zion: Parachute: 1975–2007 and Its Afterlife
F20
Diedrich Diederichsen: Living in the Loop
F14
Lisa Marshall: An Evidence Horizon
F13
Judgment and Contemporary Art Criticism: Panel Two
A
Matthew Buckingham and David Harvey: Tracing Creative Destruction
F18
Chris Cozier and Claire Tancons: No More 
than a Backyard 
on a Small Island
F16
David Geers: Open Call Art, Democracy, and the Culture of Consensus
F17
Melanie O'Brian: A Wicked Problem: Fogo Island Dialogues
F20
Dexter Sinister and Eric Fredericksen: Re: The Serving Library


F10
Jeff Khonsary and Metahaven: Smashing Windows with Windows: Transparency, Design, and WikiLeaks
F15
Toril Johannessen: L’invention et la conclusion de l'oeil
S3
Zanna Gilbert: The Human Letter: Mail Art Exchanges between East Berlin and Northeast Brazil in the 1970s
F20
Christian Hänggi: Stockhausen at Ground Zero
F15
Jayce Salloum: sans titre/untitled
F1
Tirdad Zolghadr: Worse than Kenosis
A
Jeff Derksen: How High Is the City, 
How Deep Is Our Love
F12
Anthony Downey: Camps (or the Precarious Logic of Late Modernity)
F13
David Goldenberg and Markus Miessen: Re: Participation


F10
Caren Kaplan: “A Rare and Chilling View”: Aerial Photography as Biopower in the Visual Culture of 9/11
F17
Juan A. Gaitán: Folding Money
F15
Toril Johannessen: The Invention and Conclusion of the Eye
S3
Kenny Cupers, Markus Miessen, Magnus Nilsson, Ralf Pflugfelder, and Patricia Reed: Architectural Space as Agent
F14
Kenny Cupers, Markus Miessen, Magnus Nilsson, Ralf Pflugfelder, and Patricia Reed: Architectural Space as Agent
C
Patricia Reed: Co-autonomous 
Ethics and the Production 
of Misunderstanding
F16
Jon Davies: The Masculine Mystique
F16
Shepherd Steiner: Other Uses: Boolean Searches in the Martha Rosler Library
F9
Reid Shier and Michael Turner: Upon Further Reflection
F14
Renato Rodrigues da Silva: El Instrumento y Su Obra: On Luis Camnitzer’s Conceptualism
F17
Byron Peters and Jacob Wick: Scripting Misperformance, Misperforming Scripts
F19
Toril Johannessen: Oppfinnelsen og avviklingen av øyet
S3
Grace Ndiritu and Kathleen Ritter: A Conversation on Gaslight
NA
Diedrich Diederichsen: Judgment, Objecthood, Temporality
A
Candice Hopkins: The Golden Potlatch
: Study in Mimesis and Capitalist Desire
F13
Candice Hopkins: The Golden Potlatch
: Study in Mimesis and Capitalist Desire
B
Anna Banana, Zanna Gilbert, Michael Morris, and Vincent Trasov: Mr. Peanut Summit (Conversation)
S5
Ola El-Khalidi and Diala Khasawnih: Gastronomica Makan
: An Ongoing Conversation
F16
Ola El-Khalidi and Diala Khasawnih: Gastronomica Makan
: An Ongoing Conversation
C
Renato Rodrigues da Silva: Interdisciplinarity 
& Participation 
in Contemporary Brazilian Art
F11
Martha Langford: Some Uses of Disenchantment: Vladimir Putin’s Staged Photography
F18
Diedrich Diederichsen: Water Versus Objects: Reproduction or Dissemination, or How Did Pop Music Become Ubiquitous?
F9
Boris Groys and Andro Wekua: Wait to Wait
F9
Oraib Toukan: Events-Called-Schools: Transcript from the International Academy of Art Palestine
F18
Chris Sharp: The Concert Was Not a Success: On the Withdrawal of Withdrawal
F18
Lorna Brown and Anne Pasternak: Agility in Public
F12
Christina Linden: Forward Looking (Apocalypse Now or Later)
F15
Lene Berg and Jacob Wren: Contradictions 
and Paradoxes
F19
Vasif Kortun and Matthew Schum: Vasif Kortun: Istanbul qua Istanbul
F6
Monika Szewczyk: Investing in the Blank
F14
Monika Szewczyk: Investing in the Blank
B
Carson Chan: Measures of an Exhibition: Space, Not Art, Is the Curator’s 
Primary Material
F13
Nathan Crompton: Elegy of the Non-event
F20
Lawrence Rinder: Notes Toward a 
Conversation on Painting

F11
Sven Lütticken: The Making of Labour: The Movie
F18
Helen Molesworth and Amy Zion: Documents Magazine 1992–2004: Part Two, Helen Molesworth
F17
Paul Branca and Jesi Khadivi: Social Networks and Soft Crimes
F20
Zarouhie Abdalian, Aaron Harbour, and 
Jackie Im: Having Been Held 
Under the Sway
F19
Nina Power: Decapitalism, Left Scarcity, and the State
F20
Mayssa Fattouh and Walid Sadek: Tranquility Is Made in Pictures
F17
Jesi Khadivi: Artmoreorless: The Early Performances of Asco
F17
Haema Sivanesan: Producing Images in Times of War
F13
Shepherd Steiner: Where World View and World Lines Converge
F1
Philip Monk: Crises (and Coping) in the Work of General Idea
F16
Jan Verwoert: Faith Money Love
F13
Jan Verwoert: Faith Money Love
B
Hadley+Maxwell: Someone That Happens
B
Michèle Faguet: A Brief Account of Two Artist-Run Spaces
C
Michèle Faguet: A Brief Account of Two Artist-Run Spaces
F3
Robert Kleyn and Jordan Strom: Iterations of a General Practitioner: An Interview with Robert Kleyn
F3
William Wood: Notes on the Demise and Persistence of Judgment
A
Amy Zion: Ascetic Desire

F14
Lawrence Rinder and Shepherd Steiner: Re: Democracy and the Demos


F10
Eric Kluitenberg: Eclipse of the Spectacle
: Art and the Network of Networks
F12
Liz Park: Crawl and Trace
: Invisible Histories and the 
Project of Remembering
F11
Julian Myers: Riot Show
: Some Notes on the Archive
F12
Matei Bejenaru, Livia Pancu, and Kristina Lee Podesva: Via Satellite
F14
Matei Bejenaru, Livia Pancu, and Kristina Lee Podesva: Via Satellite
C
Fionn Meade and Jayce Salloum: Re: Documentary Practices


F10
Eva Wilson: Exclusion Zones
S2
Keith Wallace: Artist-Run Centres in 
Vancouver: A Reflection on Three Texts
F12
Keith Wallace: Artist-Run Centres in 
Vancouver: A Reflection on Three Texts
C
Matteo Pasquinelli: The Labour of 
Abstraction: Seven Transitional 
Theses on Marxism 
and Accelerationism

F19
Luis Camnitzer: Art of the State
F4
Kristina Lee Podesva: A Pedagogical Turn: Brief Notes on Education as Art
F6
Jeffrey Swartz: Space-Run Artists: Art Activism and Urban Conflict in Contemporary Barcelona
F7
Jeffrey Swartz: Space-Run Artists: Art Activism and Urban Conflict in Contemporary Barcelona
C
Kate Steinmann: Apparatus, Capture, Trace: Photography and Biopolitics
F15
Kristina Lee Podesva and Ryan Trecartin: When the time comes
 you won’t understand 
the battlefield
F13
Jeremy Todd: Looking Glass Noir and the Ongoing Significance of Steel and Flesh
F8
Vanessa Nicholas: Great White North
F18
James Elkins: Judgment and Contemporary Art Criticism: Afterword
A
Kathy Mezei: Shadows and Blind Spots
: Viewing the Domestic Interior

NA
Robert Eikmeyer and Slavoj Žižek: The Day After: An Interview with Slavoj Zizek
F5
Pan Wendt: Social Fabric
F7
Pan Wendt: Social Fabric
C
Willie Brisco, Liam Gillick, and Danna Vajda: It’s Interesting that You, with Your Values, Would Ask Me a Question Like This
F7
Fionn Meade: Oh, Inverted World
F8
Tom Morton: Three or Four Types of Intimacy
A
Ahmad Hosni: The Page that I Am
F18
Kristina Lee Podesva: When the Levees Break
F12
Irene Loughlin and Johan Lundh: Re: The Dialogical


F10
Letters and Responses: Responses to the Recent Cuts to Arts Funding in the Netherlands
F14
Berin Golonu and Ahmet Öğüt: Between the Scaffold 
and the Ruin: 
Ahmet Öğüt’s Exploded City

NA
Matthew Stadler: Reading Notes for Don't Take Any Jobs
F6
Lance Blomgren: Catastrophic Narratives
F2
Willem de Rooij and Anna-Sophie Springer: Colonizing the Exhibition Space
F18
Sven Lütticken: A Tale of Two Criticisms
A
Jesse McKee and Claire Tancons: On Carnival and 
Contractual Curating
F13
Letters and Responses: Responses to On Further Reflection
F15
David Court: Living the Image: Looking at Yam Lau’s Scapeland
F8
Lea Feinstein and Christian L. Frock: If You Aren't Mad as Hell You Haven't Been Paying Attention
F9
Rosemary Donegan and John O’Brian: Working Title
F10
Sven Lütticken: Once More on Publicness
: A Postscript to Secret Publicity
F12
Ingrid Chu and Slavs and Tatars: Rebuilding the Pantheon
F8
Gabrielle Moser: Always Working: Introduction
F18
Joni Murphy: Althea Thauberger's Carrall Street
F9
Kim Dhillon: Language To Be Looked At
F11
Matthew Stadler: Just Here to Help: Global Art Production and Local Meanings
F8
Antonia Hirsch: Intangible Economies: An Introduction
B
Andrew Berardini: To A From Z
F7
David Goldenberg and Patricia Reed: What Is a Participatory Practice?
F8
Antonia Hirsch: Intangible Economies
F13
Antonia Hirsch: Intangible Economies
B
Barnaby Drabble: We Want Everything: Assembled Thoughts on Artist-led Culture in Zürich
C
Barnaby Drabble: We Want Everything: Assembled Thoughts on Artist-led Culture in Zürich
F4
Kathleen Ritter: Translating Rubble: Misreading Mark Manders
F12
Lu Jie: The Long March Project
F2
Haris Epaminonda and Jacob Fabricius: Unresolved and Unanswered and Unspoken
F11
Makiko Hara: Rethinking a History of Tokyo Art Speak
F6
Makiko Hara: Rethinking a History of Tokyo Art Speak
C
Joni Low: The Second Situation: Looking Back on the History of Chinese Contemporary Art
F8
Christian L. Frock: From (Starry Eyed) Vision to Nail
F5
Judgment and Contemporary Art Criticism: Keynote
A
Cao Fei and Jordan Strom: Your Utopia Is Ours
F4
Joseph del Pesco: From the Hip
F7
Grace Ndiritu: The Healing of America
NA
Randy Lee Cutler: A Spectrum of Difference
F9
Jeff Derksen: Times and Places of Critique
A
Molly Dilworth: Lightly Illegal: A Letter from the Most Elegant Public Bathroom in Southeast Portland
F9
Mark Wallace: From "Notes from the Center on Public Policy"
F6
Cliff Lauson and Lawrence Weiner: Vancouver from the Outside In: Part One
F7
Hadley+Maxwell: (Find us at the kitchen door) at unitednationsplaza
F6
Jamie Hilder: Reading Mario García Torres at the Berkeley Art Museum

F11
Gabrielle Moser: Exhibition-Making with Ghosts: 
The 1984 Miss General Idea Pavilion
F11
Markus Miessen: The Violence of Participation: Spatial Practices Beyond Models of Consensus
F7
Ariella Azoulay and Elle Flanders: The Right to Share 
the Public Archive: 
A Conversation about Ariella Azoulay’s 
Different Ways Not to Say Deportation
F16
Arni Haraldsson: Fried’s Turn
F11
Eleanor Morgan: Derrida's Garden
F2
Sean Dockray: The Scan and the Export
F12
Christian Hillesø, Kate Steinmann, and Johan Tirén: Re: Democracy, Economy, and Power

F10
Lorna Brown and Matthew Stadler: Re: Work and Boredom


F10
Charo Neville: Smooth Space Provisions: Multiple Voices in Curating
F7
Clint Burnham: Impossibility of an Island
F5
Ana Balona de Oliveira: Screens of Film, Video, Memory, and Smoke
F9
David Berridge: The Storyteller of Negative Space
: Writing in the Work of Susan Hiller
F11
Monika Szewczyk: Departures from Death
F2
Jacob Korczynski: Psychedelia and the Site of Cinema
F7
Colin Browne: Lettre de Paris
F4
Zanna Gilbert: Mr. Peanut Summit (Introduction)
S5
Steve Lambert: Best Case Scenario
F9
Antonia Hirsch and Melanie O'Brian: On Second Thought: Looking Back at the 4th Berlin Biennial
F4
Dan Graham and Cliff Lauson: Vancouver from the Outside In: Part Two
F9
Antonia Hirsch: Someone Cares
F1
Lisa Marshall: Where Art Meets Design
F7
Irene Loughlin: Conversationally Arresting: Ethics, Empathy, and Identification
F3
Milena Tomic: An Impossible Map
F11
Rebecca Lane: "New" Museum of Modern (Contemporary) Art
F4
Maria Fusco: There is little respect for those who claim that Superman is not Clark Kent: Fiction, Criticism, and the Art of Anti-Suspense
F6
Maria Fusco: Say Who I Am / Or a Broad Private Wink
A
Lisa Coultard: Reiterative Revolution
F3
Teresa Steel: Chained Melody
F7
Lorna Brown: To Live Real Boredom, One Must Have Style
F2
Kimberly Phillips: Fetishism, Curiosity, and the Work of Brian Jungen
F3
Liz Park, Tim Saltarelli, and Kristina Scepanski: A Postscript to Creative Destruction
F18
Clint Burnham: No Art After Pickton
F1
Randy Lee Cutler: Through a Mirror, Darkly
F3
Joseph Mosconi: I Dream of Drella
F8
Cliff Lauson: Affirmations and Refusals
F3
Maria Fusco and Joseph Mosconi: Re: Fictions

F10
Robert Linsley: Surface, No Support
F3
Mark Clintberg: Re: Staging the Labyrinth
F8
Jesse Birch and Nicholas Brown: The Absent Enthusiast
F5
Juan A. Gaitán: That Thinking Feeling
F7
Alex Kitnick: Partial Recall
F7
Kathleen Ritter: Welcome to the Wild East
F5
Cheryl Meszaros: Marked as Withdrawn
F5
Kristina Lee Podesva: Time & Space in a Biennial for Chechnya
F4
Marina Roy: As the Hammer Strikes
F1
Aaron Peck: Given without Guide: 
Landscape Exhibitions at the Contemporary Art Gallery
F11
Alison Rajah: Thwarting the Royal Road
F8
Tyler Russell: Hold this Thread While I Walk Away
F8
Caroline Busta: Inside Out
F4
Joseph Mosconi: Appealing Biography
F5
Seamus Kealy: The Number One Galleries in the Number One City
F2
Maegan Hill-Carroll: From Yosemite to the Group of Seven, with Some Flatness in Between
F9
Brady Cranfield: By All Means Listen By All Means: Reading Aural Cultures
F2
Antonia Hirsch: Intangible Economies: Preface
B
Patrik Andersson: Against Stasis
F5
Colleen Brown: There Is a Horizon
F5
Aaron Peck: Farm Arugula with Figs: Bay Area Bazaar, The RED and the GREEN, and Ripe Family Supper
F2
Monika Szewczyk: Strains of thought in Antonia Hirsch's World Map Project
NA
Lindsay Brown: Now We Collect Situations
F2
Jeff Khonsary and Melanie O'Brian: Judgment and Contemporary Art Criticism: Preface
A
Kate Armstrong: A Manual for the Discrete and the Continuous
F11
Christopher Brayshaw: Feldmann’s Tact
F4
Emily Vey Duke: Art about Life Is Better than Art about Art
F8
Michael Eddy: Taking Down the Names of the Anonymous Movement
F5
Peter Culley: The Ghost Whisperer: Myfanwy's Time in the Woods
F3
Aaron Peck: If You Build It, They Will Come
F5
Natascha Sadr Haghighian: Excerpts from Solo Show
F18
Piero Golia and Eric Wesley: Basin Climbing: An Interview with Mountain School of Arts
F6
Jessie Caryl: Tower Ghosts and Swing Shifts
F3
Nate Lippens: Body Doubles
F5
Matthew Stadler: Don't Take Any Jobs
F6
Johan Lundh: Collective Conscious
F7
Liz Bruchet: Having Hired a Design Team, the Bad Slept Well
F5
Warren Arcan: Dialogue & Distance
F4
Adam Harrison: Mark Lewis’ Moving Pictures
F4
Anne Lesley Selcer: The State of Refuge in Vancouver
F3
Sara Mameni: Invasion of the Cybernetic Hand and Other Predicaments
F5
Jeff Khonsary: The Encyclopedia That Anyone Can Edit
F14
Colleen Brown: The Relational Meme
F1
Donato Mancini: The Bondo Between Word and Image
F2
Zoë Gray: Secret Svengali
F4
Alex Kitnick: Sean Paul’s Kammerspiel
F11
Fionn Meade: Ulterior Garden Motifs
F4
Jordan Strom: Hand in (Invisible) Hand: An Editorial
F5
Antonia Hirsch: Indirect Speech
F11
Eli Bornowsky: Notes on the Politics of Aesthetics
F4
Natascha Sadr Haghighian: In Conversation: Natascha Sadr Haghighian and Uwe Schwarzer
F18
Jeff Khonsary: Browsing the AAAARG Library
F13
Jordan Strom: Fillipics
F1
Andrew Power: Termini
F2
Susanna Haddon: Offensive Art
F4
grupa o.k.: Stagelessness (Introduction)
S4
Lawrence Rinder: Remain in Life
F2
Jordan Strom: Sink and Swim: An Editorial
F4
Kristina Lee Podesva: Between the Question Mark and the Comma
A
Mariana Castillo Deball: Visages Faux
F8
Jordan Strom: Work in Progress?
F3
Free Pussy Riot
NA
Maria Fusco: The Penalty for Perfidy
F6
Maria Fusco: The Penalty for Perfidy
A
Paul Chan: Untitled (Behold, I show you a mystery)
F7
A Long Road Turns: On the Release of Fillip 20
F20
François Perrin: Beneath the Hotel, the Beach
F6
Kristan Horton: Drawing of a History of World War One
F7
Cranfield and Slade: Sunshine Daydream/Maerdyad Enihsnus
F9
Ron Terada: Have You Seen This Kitten?
F8
Metahaven: WikiLeaks: Axis of Reputation
F15
Slavs and Tatars: Pantheon of Broken Men and Women
F8
Marisa Jahn: Fillip Index
F9
Julia Meltzer & David Thorne: Fillip Index
F8
Micah Lexier: The Sentence is the Page Number
F6
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